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SCA
combat is a rough, full contact sport, but it need not be painful if
you wear the right equipment. The first things you will need when putting
together your first suit of armour is the padding and the "underwear".
First, a box. These can be bought at any good sporting or martial arts
store. Also, elbow and knee pads should be bought as well, although
you can make armour that has these built in. For ladies, suitable protection
for your tender bits can be found at good martial arts stores.
One
of the first pieces of armour you will need to make for rattan fighting
is a gambeson; a quilted padded tunic worn under your armour that protects
you from bruising and chafing. The style you will want is dependent
upon your personas' period; gambesons, known under a variety of names,
have been in use since armour was invented. Gambesons were usually made
of buff coloured cloth, such as canvas or heavy broadcloth stuffed with
cloth, raw wool or other padding material, and were plain and functional,
which makes them easy to make, although later period ones were often
made of coloured fabric and worn on the outside, often over mail.
First,
select a style that is appropriate to your historical persona. Some
of the basic types commonly found in the middle ages are shown for you
perusal. Most of them were of the plain buff cloth, but some, like no.
3 were sometimes worn over the armour, and were brightly coloured and
occasionally decorated with applied heraldic decoration.
A
basic pattern that will work for most gambesons is as follows:
Measurements:
A: 1/2 upper chest (arm to arm), A': 1/2 upper back (armpit to armpit),
B: 1/4 chest measurement, C: 1/4 waist measurement, D: 1/4 hips measurement
+ 1-2 inches, E: collarbone to waistline, F: waistline to bottom of
skirt, G: back of neck to waistline, H: waistline to bottom of skirt
(back). Note that the waistline in the late medieval period tended to
be higher than todays', and was measured just under the ribs.
This
will give you the basic torso, to which you then add the sleeves as
appropriate. For earlier period gambesons, the measurement C should
be about the same as measurement D, giving a tubular trunk. Later period
gambesons tended to have a more pronounced waistline, following the
whims of the fashion, in which case measurement C should be rather snug
fit. For a flared skirt, like in no. 3, increase measurement D accordingly.
Remember to keep the armholes large for ease of movement, and allow
about 2-3 extra inches to the measurements to allow for the quilting.
Next
cut out one set of panels, adding a few inches to take into account
the padding, baste it together (long, easily removed stitches) and try
it on. Go through your range of fighting motions and make sure that
it does not pinch or bind, cutting and modifying the pieces to suit.
Then remove the stitches and use the adjusted pieces as patterns to
cut out the rest of the cloth.
You
can make gambesons out or pre-quilted cloth, such as a moving blanket,
or you can sew your own quilting, which is not really as hard as one
might think. Simply cut two identical panels, one of the outer fabric
and one of the inner, and machine stitch rows down them. For extra ventilation,
sew buttonholes alongside these stitches, you will find this to be a
great comfort in hot weather, and it is period. I have found that a
heavy outer material like canvas is ideal for the outer layer, and a
softer, more comfortable cloth such as a fine broadcloth or even satin
is ideal for the inner layer. A description of an arming doublet of
the mid 15th century in the Hastings manuscript is described as "a dowbelet
of ffustean (a type of heavy wollen broadcloth) lyned with satene cutte
full of hoolis."
After
you have sewn the rows, stuff the slots with whatever you have at hand
(make sure it is washable and will not shrink!). Scraps of mattress
pad or pieces of cloth found at rummage sales are ideal for this. After
the rows have been stuffed, sew the panels together and seal the edges
with bias tape, handstitch the second direction of quilting if needed,
and add the button or ties.
The
arms are made in the same manner, and can be attached to the body either
by hand stitching or by points and ties, which has the advantage of
leaving the armpits open and ventilated.
When
stuffing the gambeson, don't overdo it; remember you have to fight in
this thing! Critical areas, such as elbows, points of the shoulders,
kidneys, the spine and back of the neck and the collar, should be be
fairly heavily padded, while the inside of the arms and chest will not
need quite so much. Packing the stuffing in to tightly will make the
gambeson stiff, and will not absorb the force of a blow as well as a
softer, looser packing.
Some
people reinforce their gambesons with strips of leather or plastic placed
inside the quilted rows; this makes the gambesons heavy enough to use
with only a plackart or heavy belt, which is ideal for those who want
to put together a lightweight footsoliders' armour.
The
gambeson can now be finished off with arming points, to which your arm
and shoulder harness can be tied; this is usually much more comfortable
that straps and buckles. Remember to reinforce the points where the
strings will attach to the gambeson. Some period gambesons seem to have
been reinforced with strips of leather or even mail down the outside
of the sleeves, and in the 15th century, the armpits wereprotected by
gussets of mail sewn to the gambeson.
A
well made gambeson should give you a couple of years of good service,
if you take proper care of it. Always air it out after use, or you will
be discovering new and probably hostile life forms in the form of interesting
molds and fungi. Handwashing every now and then will keep it docile,
and a bit of deodorant spray does not go amiss. Care for your armour,
and your armour will care for you. Happy fighting!
A.
Dark Ages - 12th Century. Basic short sleeved Gambeson, tied down front.
B.
1250. From Maciejowski Bible illuminationC. 14th
C.
Jupon of Charles VI of France at Chartres Cathedral
D. 1340. Italian, form Fresco at Castle Sabbionara at Avio.
E & F. 1479. From Reliquary of St. Ursula by Hans Memling, Brugge.
G. 15th C. German From Passion painting, Royal Armouries Photo Library
H. 15th C. Arming Jack from 15th C. Manuscript illumination, Hastings
Manuscript
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